First Look: Inside Photoshop CS3
Posted 03/25/2007 at 1:43pm
| by David Biedny
Filters with Brains
One of Photoshop CS3's show-stopping new features is also the one that will most directly impact daily production and creative chores. The new Smart Filter implementation addresses one of the longest-standing requests of Photoshop users over the years: the ability to use filters nondestructively, leaving the underlying pixels of an image unaffected by experimentation. Anyone who has used Adjustment Layers in the last few versions of Photoshop is likely familiar with the flexibility of applying color corrections that can be changed at any time without subjecting the pixels to the major stress of reprocessing the color values over and over. The Smart Filters feature extends this notion to the Filter menu, with the notable exceptions of the Liquefy, Extract, Pattern Maker, and Vanishing Point commands (which have never really been treated as standard Photoshop filters in the traditional sense).
Get smart. Smart Filters work on a specific selected layer, unlike Adjustment Layers, which apply their color-correction setting to all underlying layers. The layer must first be converted to a Smart Object (a feature introduced in Photoshop CS2), allowing layers to be scaled, rotated, and stretched in a nondestructive fashion. Once you convert the layer, applying a specific filter creates a new entry in the Layers palette. Underneath the processed layer, a white box (representing the layer mask for the filter operations) appears, and the applied filter appears immediately below. You can stack the filters up, and even reorder them by clicking and dragging them to new positions in the stack. A button lets you toggle the filter effect on and off, and an editing button to the right brings up the dialog for that filter when you double-click it. Filter settings can be modified at any time, as long as the image is saved as a Photoshop file.
The order of filters in the stack is important - the processing happens bottom to top, with the topmost filter being the last to affect the image. For example, if you plan on sharpening a layer with Unsharp Mask, it should be placed at the top of the filter stack, and always on top of any Blur filter. The area of the layer that is affected by the filters can be controlled via a layer mask, which is displayed in the white box to the left of the Smart Filters label.
Five different filters have been applied nondestructively to this image, using Smart Filters.
Next: Filters with Brains (continued)