How to Set Up a Mac-based Recording Studio*
Posted 10/02/2007 at 1:08pm
| by Rich Tozzoli

1. Exo 2.1 Stereo Monitors ($349, musiciansfriend.com); 2. Digidesign Mbox 2 ($450, digidesign.com); 3. LaCie Porche 320GB Hard Drive ($103, amazon.com); 4. Samson CO3U Condenser Mic ($89.99, shop.com); 5. KRK Systems VXT4 ($299.99, bizrate.com).
THE UNDER-$1000 SETUP
Now that you know which pieces of gear are essential for your home studio, it’s time to start pricing things out. Where? Well, one of the best ways to shop for gear, which is probably not a secret to anyone, is to simply search Google for it. For example, with the Mbox 2 mentioned below, a search brings up pricegrabber.com, zZounds.com, and SamAsh.com - just to start. This lets you find out more about the gear and check out the best prices. Then you might even go to your local store with a printout from the Net and negotiate an even better deal.
The Audio Interface
Digidesign’s Mbox 2 ($495 list/$450 street) is an extremely flexible audio interface that comes with a boatload of extras. You get Pro Tools LE software, which runs 32 simultaneous audio tracks and includes 37 DigiRack plug-ins (software effects that run with the app) such as EQ, delays, reverb, and so on. The sleek little Mbox itself connects to your computer via USB, which provides the power for the unit (meaning no extra power cable!). It’s got a headphone output with dedicated volume control, a studio monitor output control with stereo output jacks (on the back), MIDI I/O for hooking up keyboards or other MIDI devices, and digital I/O via Sony/Philips digital interface format (S/PDIF). You also get two mic inputs, two direct interface (DI) inputs, and two line inputs via TRS (which stands for tip, ring, sleeve cable). Digidesign also throws in a bunch of free extras like Ableton Live Lite 4, Propellerheads Reason Adapted 3, IK Multimedia software guitar amps and samplers, and even a Pro Tools Instructional DVD. The Mbox 2 Educational Version can be found for around $350, so get out your college ID and see if you can still pass.
You could also go with a Mark of the Unicorn (MOTU) UltraLite audio interface ($595 list/$550 street), which has a total of 10 inputs and 14 outputs and connects to your Mac via FireWire 400. Housed in an aluminum alloy body, the UltraLite lets you record high-resolution audio (up to 24-bit/96KHz) and monitor the level meters on the front panel or with the provided CueMix Console software. With a portable product like this, you can use it to capture audio with an app such as Logic or Digital Performer on your laptop. It’s perfect for small live recordings or capturing band rehearsals.
Add a Microphone - or Three
A good mic can boost the quality of your recordings. One of the all-time classic mics, the Shure SM58 Dynamic Cardioid Vocal Microphone, can be had for around $99. Many audio pros in the know call it (and/or its cousin, the SM57) their “desert island all-purpose mic.” Kicking it up a notch, you might check out the Rode Podcaster, a large-diaphragm mic that connects via USB and can be found at various online outlets for just over $225. If you want extras, like a guitar-recording mic, check out the Audio-Technica Artist Series ATM650 ($169 list/$100 street). Another versatile mic is the AKG C1000 S, which can be found online for around $230, or $300 packaged with AKG’s C2000 B condenser mic.
Time For a Listen
When it’s time to review your work, headphones come in extremely handy - mainly because they let you work into the wee hours without Johnny Law, or a sleep-deprived spouse, knocking at the door. Sony’s MDR-7509HD headphones are on the pricey side at around $220, but they deliver the goods. AKG headphones are also very popular with pros, and the K 240s can be had for under $130. Beyerdynamic’s DT 770 PRO headphones ($279 retail/$240 street) are designed for critical music and sound monitoring. Good headphones are essential tools that let you make sure your mix is well balanced in the low, mid, and high range.
If you’d rather skip the headphones and to hell with the neighbors, check out Yamaha’s MSP5 studio monitors, with a 40-watt 5-inch woofer and a 1-inch titanium tweeter. A pair can be had for just under $500. If that busts the budget, try out the Alesis M1 Active MkII, which have a 6.5-inch woofer and can be had for just under $300 a pair. Also check out the M-Audio Studiophile BX5a ($399.95 list/$299 street) 70-watt studio monitors. It’s always best to ensure that any monitors you buy have magnetic shielding, which allows them to sit near your screen without buzzing.
The cheapest way to go, of course, is to plug in a set of outboard consumer PC speakers. A quick glance at the Apple online store reveals a few choice selections. Harman Kardon’s SoundSticks II will run you $169.95, and include a pair of satellite speakers and a subwoofer. Klipsch Ultra 2.0 Pro Speakers have two magnetically shielded satellite speakers with 2.5-inch drivers and 1-inch metalized polymer tweeters. And they can be had for $99.95, which might leave you a little extra dough to spend on additional mics.
Of course, you’ll want that separate hard drive, too. Check out LaCie’s 7,200-rpm d2 Quadra Hard Drive, with 320GB of storage space for under $200. Hook it up with FireWire 800 if your Mac supports it.
THREE COOL THINGS YOU CAN DO IN YOUR STUDIO
1. Be a DJ. If you have any interest in mixing your preexisting iTunes music into wild mash-ups of party-esque material, you can probably do this with great ease with the sub-$500 studio (also see “Do It Like a DJ”). Using a free desktop DJ app like djay 1.2 with a USB mic, you can record every bleep and twiddle into something that someone, somewhere might want to listen to.
2. Produce a Podcast. Spending anything on studio stuff for podcasting seems a little like bringing a gun to a knife fight, but if given the choice between listening to something that sounds good and something that doesn’t, we’ll take the good-sounding thing every time. Taking the DJ stuff you’ve just recorded and laying it down as an audio track, and fading from your show bumper (the interstitial music that plays before you start talking) into your podcast can make the difference between the whole world listening to your podcast about, er, podcasting, perhaps, and just you and your mom listening.
3. Record a Soundtrack. If a picture’s worth a thousand words, a picture with a well-recorded soundtrack is the single most significant way to make nearly unwatchable footage of the kids’ soccer game seem like MTV. Or at least MTV back when it actually played music videos. Add music to slideshows, photo montages, anything and everything in iMovie. A good soundtrack can elevate the worst footage into something that at least rates as “interesting.”
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