Spec Ops: The Line thrives on colorful, deliberate level design; its self-conscious take on the shooter genre (by way of Apocalypse Now), and its reversal of traditional player incentives. Originally released in June 2012 on other platforms, Spec Ops' recent release on Mac captures every concept from the original for better and worse. It's as well-built a package as any modern AAA shooter — crisp, quick, and brutal — albeit saddled with some stop-and-pop repetition and decrepit multiplayer modes. However, for all the game does well, the Mac port unfortunately limps along with sluggish and inconsistent performance.
Strike Force Heroes: Extraction is a noble – if uneven – attempt to replicate the classic side-scrolling console shooter. Likely due to the complexity of its control scheme, the genre hasn’t often been particularly well served on iOS devices, but Strike Force Heroes (HD iPad version reviewed; also available separately on iPhone) has found a few clever shortcuts. The result is fun to play in short bursts, even if the smoothness of some controls makes some of the weaker spots more glaring.
Running a clandestine agency devoted to fighting diabolical alien invaders is tough, but as XCOM: Enemy Unknown taught us, it gets a lot easier if you can steal things out of the enemy's playbook. And when those things include extreme genetic modifications and hulking robot exoskeletons — two of the biggest features introduced by the Enemy Within expansion — the fight doesn't necessarily get easier, but it does get a lot more interesting.
So many of the little details surrounding Google Play Music for iOS suggest that the tech giant isn't so eager to win over iPhone owners as recent overtures might suggest. Never mind that six months passed before its iOS launch, but the in-app keyboard retains the design of iOS 6 and the skeuomorphic icon stands in stark contrast to its updated brethren. It's a shame, because there's a really well designed music app lying in store once you make it through such chaff.
Ah, Thanksgiving. A relaxing day full day of floats, football, family, and food, it may be the perfect holiday — that is, unless you're in charge of the meal. Any number of things can sink your supper, from a dry, overcooked bird to subpar side dishes. So if you're worried your meal won't be memorable, we've got eight apps that'll have you giving thanks for the App Store come Thursday.
A reimagining of the 1990 Sega Genesis game of the same name, Castle of Illusion Starring Mickey Mouse is a creative, whimsical platformer featuring the world’s most recognizable rodent. The action is as traditional as it gets — Mickey runs and jumps through predominantly side-scrolling levels, all the while hopping on baddies, grabbing collectables, and leaping over bottomless pits — but the gameplay stays compelling and fun thanks to well-designed stages, interesting environments, and ample charm.
If you appreciate the Beatles and John Lennon, you will simply adore this lavish, lovely app-based work of art devoted to the last truly creative period of Lennon’s life: the crafting of his final album, Double Fantasy. With truly innovative use of the iPad and iPhone as an entertainment consumption device, it’s one of the finest multimedia attempts we’ve experienced on the platform.
PikPok’s latest Flick Kick game offers the most complete and varied experience in the series so far, with the whole gamut of basic on-field soccer situations backed by team building, a curious tale of revenge, and a multi-division league structure. But you’ll have to battle through a barrage of ads or pony up some cash to make the most of Flick Kick Football Legends’ solid gameplay.
The Shivah opens with a question, simultaneously straightforward and cosmic: “Why do bad things happen to good people?” Lead writer and designer Dave Gilbert attempts to answer it with fuzzy pixel art, a jazz soundtrack, and the restrained and cynical story of Rabbi Russell Stone, who takes it upon himself to investigate the murder of a Jewish businessman. Gilbert is well versed in noir-tinged mysteries, but The Shivah is understated and realistically grounded when compared to Wadjet Eye’s science fiction games (like the great Gemini Rue). The Shivah dispenses with many of the adventure genre’s more cumbersome traditions, too, leaving room for investigation to drive the plot forward instead of awkward, arbitrary puzzles.
In spite of its title, you won’t find hooded killers or acrobatic climbing in Assassin’s Creed Pirates (at least not at first). In fact, its main character, Alonzo Batilla, seems to never even leave his ship. Instead, this upcoming spinoff focuses entirely on piracy and simple naval battles, letting players explore a quasi-open version of the Caribbean in a story set around the same time as the latest entry in the series, Assassin’s Creed IV: Black Flag.