I met with Soundcast Systems and took a look a two new iPod speakers they plan to release in the summer of this year. The SpeakerCast is a shelf-sized speaker set, while the OutCast is an outdoor speaker. Both use the iCast dock to transmitter an audio signal to the speaker (included with each product). Soundcast says both products have a indoor range of 150 feet and an outdoor range of 350 feet.
The Podcasting Pak includes a good-looking USB-powered microphone, a mini mic stand, and a foam-lined industrial-strength case to carry it all. Every podcast recording begins with a microphone. The only reason that most Mac users haven't worried too much about the mic is because the built-in mics on iMacs, MacBooks, and MacBook Pros have worked just fine for most off-board uses. If you tried to record on a Mac notebook, however, you've no doubt noticed a few irksome issues: fan noise, primarily (unless you're recording MIDI, in which case no harm, no foul). While it's fully possible to make this flaw seem like a feature by packaging your podcast as some sort of staged neoindustrial set piece complete with whirring machinery in the background, in actual fact, fan noise is not a desirable trait. Moreover, if what you're doing involves live music, instruments, or any other nuanced acoustic audio source, using the built-in mic is less than ideal.
The TuneStage 2 has a surprisingly good range. Mention Bluetooth with an iPod device, and you might find us shaking our heads in doubt. That's because our experience with Bluetooth devices has been mixed - Bluetooth isn't bad, if you don't mind a limited range. But sound quality? Forget it. But then Bluetooth 2.0+EDR was released, offering better data rates and reliability than its predecessors. And as it turns out, the TuneStage 2 for iPod, which uses Bluetooth 2.0+EDR to provide wireless connectivity between an iPod and a stereo-connected base station, is a great example of how far Bluetooth technology has come.
The LightSnake takes the frustration out of XLR mic connectivity. Podcasters hoping to record pro-level audio usually have to dish out pro-level dollars - a good XLR microphone requires an interface box to connect to your Mac, and that'll set you back at least $200. But with the LightSnake Microphone-to-USB Cable, you can spend a fraction of that and still be able to connect XLR mics directly to your Mac.
A good beginner’s mixer, with some room to grow. With an incredibly cheap entrance fee of $130, M-Audio’s Torq MixLab gives you the core tools you need to make mixes, sans vinyl records and turntables. The package includes the X-Session Pro USB MIDI hardware mixer and Torq LE, a paired-down version of M-Audio’s Torq DJ software.