Billed as a “modern creativity tool,” Curator is a virtual, iPad-only notebook for organizing websites, images, or text into beautiful, visually rich checkerboards. Up to 25 tiles can be opened full-screen or relocated anywhere on the screen (using just a finger) into a single board. The free app can be used to create up to five such projects, each with a unique name, and move between them with a swipe. Create a sixth board, however, and you’ll be prompted to pony up $6.99 via in-app purchase, which enables you to create an unlimited number of boards.
We’re big fans of Evernote, the “second brain” service where you can throw nearly any scrap of paper into the cloud until it’s needed again. For certain types of personal data, however, this approach often means that you’ll spend more time searching than accessing information. Mustbin is a free app geared toward life’s most precious data – credit cards, driver’s licenses, Social Security cards, and more. However, the developers have also empowered the app as a kind of digital jack-of-all-trades that can be used for sorting photos or even password-protected accounts into digital “bins.”
There’s a strong sense of déjà vu that comes from playing Oceanhorn. This mobile adventure stars a brave boy that sails to different islands, overcomes puzzling dungeons, and gains the tools necessary to combat evil and essentially save his kingdom. Despite not featuring princesses or golden triangles, there’s no denying that the game draws heavily from Nintendo’s iconic The Legend of Zelda series, particularly Wind Waker. However, instead of merely giving us a facsimile and porting it to iOS, Oceanhorn handpicks what it borrows and creates an experience well worth playing.
Punishing puzzle-platform games are nothing new on iOS, but Stealth Inc. raises the bar in both creativity and challenge with the inventive gauntlet of deadly devices it sends you merrily charging through. Trapped inside a cloning facility, your mission in this clever puzzler is to escape with your hide intact. That's not so easy when there's a vast network of closed-circuit cameras watching from all directions. Outsmarting these mechanical overseers to circumvent the many dangerous traps is a real thrill — assuming you don't mind dying a lot in the process.
When it came to Mac in August, BioShock Infinite represented a huge change for its venerable franchise. It switched up the combat, trading bizarre weapons for conventional guns and frenetic pacing; it gave players a constant sidekick, Elizabeth; and most strikingly, it moved the action from the undersea nightmare city of Rapture to the (deceptively) sunnier, airborne steampunk metropolis of Columbia. Burial at Sea — Episode One, Infinite's first story-driven add-on, represents a step back on a couple of those points, the biggest being that the setting is once again Rapture — although we get to see it as a gleaming objectivist utopia, before everything really goes crazy.
Tilt to Live wasn’t easy when it debuted in 2010, and its sequel certainly isn’t easy today. To some degree, you can consider Tilt to Live 2: Redonkulous the anti-Asteroids: using tilt controls to command a little arrow avatar, you must rid the screen of all collision-causing obstacles, only instead of shooting them it’s a matter of avoiding them for as long as you can hold out. Basically, you’ll want to keep your arrow from touching plagues of red dots that will hunt you to the ends of the earth in various patterns and formations.
Gameloft surely hopes that GT Racing 2’s flashy lighting and obsessively modeled licensed cars will make it stand out from — or at least keep pace with — a recent surge of App Store racing sims, notably genre leader Real Racing 3. Lens flares and dust effects are well and good, but GT Racing 2’s visual fidelity threatens to overshadow its real strength: as free-to-play racers go, it’s got great controls. GT Racing 2 doesn’t reinvent the iOS racing control scheme, but it executes it better than most of its competitors.
Morphopolis may be one of the most beautiful games we’ve seen this year, but its remarkable looks aren’t always backed up by strong puzzle design. Taking on the role of a caterpillar as it undergoes five metamorphoses into ever larger insects, you’ll find hidden objects and solve puzzling minigames across more than a dozen scenes — each as lusciously detailed as the last — all backed by a stellar soundtrack amidst a bare-bones interface.
There are lots of ways to quickly create compelling works of art on our iPhones and iPads. One-touch filters and easy overlays have turned us all into amateur graphic artists, even if we don't have the most artistic of eyes. Notegraphy is cut from that cloth. With an emphasis on social sharing, the app automatically stylizes everything you write with a keen artistic flourish, turning your most mundane thoughts into stunning inspirational displays.
When Pages for iOS was released alongside the iPad in 2010, it was a showcase of all that was possible with Apple's revolutionary tablet. A natural extension of the Mac app, it set the tone for multitouch content creation, with powerful page layout and word processing templates plus tools that complemented the ones we used on our MacBooks. With the new version 2.0 release, however, Pages is no longer a companion app. A complete rewrite for iOS 7 and OS X Mavericks has brought parity across all platforms, and you'll find the same templates, menus, and features everywhere you go, with a strong emphasis on collaboration and editing.