With the App Store getting ready for the annual holiday break at the end of the year, developers are going crazy with the discounts. We've got some seriously big name titles and some big name houses slashing prices deep and often across the board, so let's stop wasting time and get right to it, because some of these will be gone before you know it.
It's a special horrirific edition of Price Drop featuring games with a monstrous cut in their costs. And to add to the frights, all the games are spookytacular examples of the genre. So if you're not too chicken to save some serious cash, we've got a creepy thirteen games to get out from under your blankets and over to the App Store.
Star Wars: Galactic Defense is easily the biggest-name launch this week, offering the sci-fi favorite’s first take on the tower defense genre, but intriguing newcomers like Woah Dave!, Grey Cubes, and Twisty Hollow are also worth a look. And we’ve got a couple of Halloween-appropriate games in the mix, as well. Give these a look (and a listen), and then check back next Thursday for more.
Techland started development on Dead Island in 2005, but the zombie-themed first-person action-RPG hybrid didn’t shamble onto shelves until 2011. Three years later, publisher Deep Silver has finally deigned to grace the App Store with a Mac port, but it’s no surprise that the game’s design, writing, and structure feel a bit dated.
Depending on your perspective, free-to-play games might either be the best or worst thing to happen to the mobile platform – but whatever your take, it's hard to deny that the approach comes with notable compromises. Dead Trigger 2 is a fairly engrossing first-person shooter with a lot to offer in regards to comfortable controls and enjoyable blood-spattered gameplay, but you'll quickly find yourself sitting around doing nothing in order to avoid throwing money into the works.
Tell us if you've heard this one before. In Dead Effect, you assume the role of an elite soldier aboard a spaceship, where an infection has turned everyone into zombies. Odds are, this setup is not unlike one you've seen numerous times before, and unfortunately it's not just the story that proves so familiar. The weapons, setting, music, and enemies are all equally uninspired, and the gunplay is too weak to compensate. As a result, Dead Effect is a thoroughly run-of-the-mill first-person shooter.
World War Z for iOS may not feature Brad Pitt or focus on specific events in the upcoming film adaptation of the bestselling novel, but it does create the ideal environment for drawing you into the apocalyptic world envisioned by author Max Brooks. Unlike most movie tie-ins, World War Z is more than interactive propaganda, and will please both fans eagerly awaiting the film and gamers looking for a solid mobile action shooter.
On consoles, The House of the Dead: Overkill took one of the most well-trodden premises imaginable – shooting zombies in first-person, on rails – and used it to create one of the most memorably over-the-top games of all time. Taking tropes from grindhouse horror movies and cranking them to ridiculous levels, HotD:O was gruesome, hectic, and – as its characters awkwardly shoehorned f-bombs into nearly every sentence – so deliberately crass that it was impossible to see it as anything other than a comedy. The iOS version, subtitled The Lost Reels, scales all that back considerably.
With the exception of flesh-eating undead and the truth universally acknowledged, that a single man in possession of a good fortune must be in want of a wife, our apps today are all about utility. So put on your to-do list: how to escape having your brain eaten, how to stay in shape to escape shambling hordes of zombies, and how to get your Mr. Darcy to finally pop the question. Then get tapping at the App Store.
The world has been forever changed by a zombie outbreak, and your only means of escape has crashed in the middle of a field crawling with the undead. As the zombies close in, there’s just one course of action available: sprint toward a radio antenna on the distant horizon, the sound of your own labored breath echoing in your ears, and do your best to dodge the flesh-eaters as they stumble out of the fog and rise up from the tall grass. Your predicament is hopeless; eventually they’ll catch you, and the last thing you’ll hear is your own screams. The only real question, as Into the Dead demonstrates, is how far you can get before that happens.